Under a single light, with water cascading from above, Stormzy looked dramatic.
The Brit Awards performance at the O2 Arena in February had started serenely - a gospel song from Gang Signs & Prayer, backed by a balaclava-clad choir, their faces lit up in the darkness.
Stormzy smiled as he sang the words:
I said a prayer this morning, I prayed I would find a way, to another day, I was so afraid, till you came and saved me.
But the beat, and Stormzy’s expression, soon changed. Taking off his top, he stood directly under the spotlight.
Yo, Theresa May where's that money for Grenfell?
What you thought we just forgot about Grenfell?
You criminals - and you got the cheek to call us savages.
You should do some jail time, you should pay some damages.
We should burn your house down and see if you can manage this.
He looked supremely comfortable. Young black men from south London aren’t supposed to feel that kind of confidence.
The Brits was just the first example in 2018 of Stormzy going to places he wasn’t supposed to go, and doing things he wasn’t supposed to do.
He grew up in Thornton Heath, an unremarkable looking part of Croydon. On its High Street you’ll find a Subway sandwich shop, a Poundland discount store, a few halal butchers, betting shops, and Caribbean, Chinese and African restaurants.
If you’ve never been there, Stormzy’s debut album Gang Signs & Prayer might be the easiest way to imagine it.
South London had little representation during grime’s early years.
The genre’s pioneers hailed from east. “For me, Bow E3 was the promised land,” Stormzy said in Rise Up.
In recent years though, south London has been represented faithfully by an array of artists across various urban genres.
Peckham’s Giggs kicked down the doors in the mid 2000s, paving the way for the likes of Krept and Konan, Bonkaz, and Stormzy himself.
Up the road from Stormzy, P Money helped lead a slew of MCs from Lewisham, while Brixton’s Sneakbo is only recently getting credit for laying the foundations of the Afro-swing/Afro-bashment sound that’s taken over airwaves this year.
For Stormzy, Krept and Konan’s success was a turning point. They gained popularity quickly after the release of their first mixtape, Redrum, in 2009.
Their lyrics were the kind that have led to scare stories about drill music in 2018 - they reflected the violence they’d witnessed around them.
But their emphasis on wordplay made them stand out.
Their lyrics became a fixture in many Blackberry Messenger and MSN screen names, and their songs flew from phone to phone in schools in and around London.
They achieved mainstream success, winning Mobo and BET awards for their work.
South London was finding its voice.
During Stormzy’s engineering apprenticeship, at college in Leamington Spa with 17 other kids, only one knew he wanted to become an MC.
“I was literally like Batman - engineer by day, and MC by night,” he said at his book launch.
When half-term came, and Stormzy returned to Croydon, he had an idea.
“We had one week of half-term, and I was like ‘Oh, I’ll do a mixtape in one week…’
“And then I was like ‘ah, how many hours are in a week?’”
The mixtape 168 ended up being his first full release, and earned him some hype back home.
But there was an internal conflict between whether to chase his dreams in music or accept that he was on a path to a steady job.
His show on Reprezent Radio in Brixton was clashing with his work - he was going to have to make a decision.
“When I left work I didn’t tell anyone apart from my sister. I was living at home and I’d just moved back from the apprenticeship, and I know my mum was thinking, ‘Yo, what are you doing, you’re not working?’,” Stormzy said in Rise Up.
Stormzy credits his mum, Abigail, as being the foundation of his Christian faith. And the faith she had in her son at that time was definitely repaid.
He often mentions her as someone who always held the family up and always had a smile on her face. In his Brits freestyle he said he was “raised up by black girl magic” - his two sisters and Abigail.
“The Ghanaian spirit in general, I believe, is pretty humble and hard working,” says Twin B, who is head of A&R at Atlantic Records UK, and British Ghanaian like Stormzy.
“There’s a common thread of mums who have been out working three jobs and dads who have been doing the same.
“That humble and hardworking spirit is something that runs through to a lot of people, Stormzy included.”
Twin went to one of Stormzy’s first ever live shows, at a club called Gorilla in Manchester.
The show was “sort of split in two, there was a DJ and a band, and some of it worked and some of it didn’t”.
Twin wanted to chat with Stormzy afterwards to go through some feedback.
“But he was stood with the musical director for about an hour going through it, asking questions and trying to perfect it.
“I remember being like, ‘Wow, this guy is taking this so seriously’.”
And then there’s Smoky Mike - a name the people around Stormzy have for the person who comes out when he gets angry or tells them off, when he wants high standards.
His success happened quickly but with hard work.
It came after Kanye West invited a number of grime artists - including Stormzy - to join him on stage during his 2015 Brits performance.
Kanye stood on stage with what felt like the whole of the grime scene behind him, hooded, clothed in black, with flames shooting above them.
Watch the video back on YouTube and you can spot Novelist, Frisco, Skepta, Jammer and plenty more. It felt like grime, historically frozen out of awards ceremonies, had invaded.
The friends introduced in the Wickedskengman series of freestyles, and in the video for Shut Up, accompanied Stormzy everywhere.
“You’ve only got to look at some of his earlier career choices to see that he’s all about representation,” Austin Daboh says.
“Whether that be him deciding not to go with an established manager from the old school music industry and choosing one of his close friends, which was definitely a diverse choice.
“Whether that be you looking at the team around him and seeing that whether it be white or black, you’ve got Akua who’s female, you’ve got Rachel who’s female - you’ve got people around him that represent a whole heap of diverse choices in staff members.
“And then you then look at the projects he’s put together... it’s all about representation.”
Cause when I see Hus merking I feel the vibe.
I see my people on the telly I feel alive.
Jourdan Dunn up on those billboards I feel the pride.
And Dan Kaluuya won the Bafta I could have cried.
Grenfell got the headlines the day after the Brits but the rest of Stormzy’s rap showed what his 2018 was going to be about.
After ridiculing the Daily Mail, Stormzy then name-checked: J Hus, a fellow best album nominee, Jourdan Dunn, the first black British model to make Forbes’s top-earning models list, and Daniel Kaluuya, Bafta’s 2018 Rising Star.
Stormzy wanted to seek out talent.
In July, he announced a deal with Penguin Random House to create an imprint called #Merky, aiming to help talented authors from backgrounds similar to his own who might otherwise struggle to get published.
And in August, he made headlines after agreeing a scholarship in partnership with Cambridge University to fund two black students.
He told Newsbeat that black students were “heavily under-represented in the top universities”.
"It’s so important for black students, especially, to be aware that it can 100% be an option to attend a university of this calibre.”
He said that “as much as there’s been progress made, there’s still a long way to go”.
The rapper said that at one stage, it looked like he could’ve been on his way to a Cambridge or an Oxford.
"But that didn’t happen for myself... so hopefully there’s another young black student out there that can have that opportunity through my scholarship."
Months later he said that the University of Oxford had rejected his scholarship idea, although Oxford denies ever receiving or turning down any proposal.
Weeks before the Cambridge announcement Stormzy had turned 25 and celebrated in style.
His Team Merky partnered with Spotify to take 260 of his fans on a surprise journey to Spain, along with some famous faces. It included a barbecue, a party and a performance.
“It was proper mad,” says 23-year-old Olivia, from London. “It wasn’t like the VIPs were cordoned off, everyone was mingling with each other.”
Olivia says she had lunch with Lethal Bizzle and Krept. “When I went back to work the next day I spent the whole day thinking, ‘Did that even happen?’
“Stormzy’s only 25. I’ve got a brother the same age.
“It showed Stormzy as a human being. You can always think that these people are big personalities, not even human, but seeing him interact with his fans and his friends showed me he’s basically the same as my brother - a standard 25-year-old black man, as to how open and friendly he was.”
The first book to be published under #Merky’s deal with Penguin was released in November.
Even after the whirl of 2018 it seems unlikely Stormzy will have a quiet period.
“I want #Merky to be literature, I want it to be education, I want it to be engineering, architecture - I want #Merky to be a thing that goes way past music and past everything,” Stormzy said.
“I want it to be a real hub of culture.”
You wouldn’t bet against his ambitions.
Next on the long list though is the second album, which Stormzy promises is “groundbreaking”.
“I’m gonna get judged on my art, I’m gonna get judged on the merit of my musicality - giving a real body of work and getting judged on... the artistic merit of it.”
Credits
Author
Kameron Virk
Photography credits
Olivia Rose
Getty Images
Alamy
Press Association
Penguin Random House
YouTube
Online production
Ben Milne
Editor
Finlo Rohrer
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