The Viking therapy club

Where men fight their demons

It looks like the set of Game of Thrones. Wolin in Poland hosts one of the world’s largest gatherings of Viking enthusiasts each year.

Hundreds come to recreate Viking culture - and take part in fierce, competitive battles. Many are drawn by a passion for history. But, for a significant number, it’s a way of escaping their past - a past scarred by violence.

The Viking scene attracts people who are combat veterans, former football hooligans, and others struggling to come to terms with violence.

It also seems to appeal to men who have lost direction in their lives, and are looking for a sense of purpose.

Four members of the international group called the Jomsborg Vikings, which is about 2,000 strong, explain what draws them to the Viking world, and how it has changed their lives.

“I thought, if I die, I die. I’ve got nothing left to live for. I feel so vulnerable.”

Max Bracey - or Maximas von Bracey, to give him his Viking name - leads a British Viking contingent called Ulflag.

His day job is running a shop that sells Viking paraphernalia in Walthamstow, London.

“A lot of these people are adrenaline junkies,” he explains.

“They really want to take part in something where they feel alive, with a sense of brotherhood.”

It gives them a release of the natural violent urges that we humans have.”

He continues: “This is [also] a way of exploring how our ancestors lived.”

He embraced Viking re-enactment at a low point in his life.

His father had died of cancer, and a long-term relationship with his girlfriend had come to an end.

He tried various martial arts, but none fully satisfied him.

Max Bracey - or Maximas von Bracey, to give him his Viking name - leads a British Viking contingent called Ulflag.

His day job is running a shop that sells Viking paraphernalia in Walthamstow, London.

“A lot of these people are adrenaline junkies,” he explains.

“They really want to take part in something where they feel alive, with a sense of brotherhood.”

It gives them a release of the natural violent urges that we humans have.”

He continues: “This is [also] a way of exploring how our ancestors lived.”

He embraced Viking re-enactment at a low point in his life.
His father had died of cancer and a long-term relationship with his girlfriend had come to an end.

He tried various martial arts, but none fully satisfied him.

“The thing that kept me going was Ulflag, my brotherhood, people I loved as family. If it wasn’t for that, I probably would have gone to fight with the Peshmerga [in Syria].”
“When I was younger, I used to get into a lot of fights. That anger, that frustration, was with me for a very long time.”

Qanun Bhatti is the chief trainer of the Ulflag Vikings in the UK.

He suffered abuse as a child, when he was six years old.

“I had quite a lot of anger issues. Violence just became a bit of a way of life.

“An angry child doesn’t know how to deal with emotions, [except] by being violent.”

Even as he was struggling to come to terms with the abuse, he had more violence to deal with in his adolescence.

Growing up in London in the 80s and 90s, he says he was victimised for being Asian and Muslim, picked on at school and attacked by skinheads.

Qanun believes joining the Vikings has healed him.

“Being able to let out my frustrations and aggression in a controlled manner is very beneficial for me.”

It has also given him a new sense of belonging.

[I feel] accepted and for want of a better word, loved.”

Qanun has experienced racism within the Viking world, too. People have commented that he should be playing the part of a slave, on account of the colour of his skin, he recalls.

But according to Qanun the true Viking message, which the Jomsborg Vikings try to promote, is one of tolerance and diversity.

“Vikings were so curious about anything that wasn’t the norm, it was part of their special culture. They were inveterate explorers.

“If someone walked in and was a different skin colour, rather than being: ‘You are different to us, we are afraid,’ they’d be like: ‘Wow, who’s this? We want to know about this person because they are different to us.’ They were excited.”

“Do you have to fight for your right to be diverse? You have to fight for the right to breathe.”

“It’s a brotherhood, once you’ve been taken in, you’re in.”

But Norman Hewitt struggled for a long time to be accepted as Jomsborg’s first black Viking.

His first job was to convince himself.

“It’s not really my scene. I thought there weren't any black Vikings because we weren't taught anything like that back in school.”

In the early 90s in London, he was embroiled in the world of football hooliganism. He was persuaded by a friend to join the Jomsborg Vikings. This gave him a new focus and outlet for his physical aggression.

On joining and doing some research, he decided to take the Arabic name of Bin Yusof, to reflect that Vikings mingled with North Africans.

Norman fights less these days, but remains an international training officer for the Jomsborg Vikings, where he is held in high esteem.

Anyone who is ethnic, or say, female, has to work double-hard to gain respect.”

Norman believes that if he had been a poor fighter, he would still have been gradually accepted, but he would not have achieved the same level of respect.

He experienced racism and “funny looks” from some quarters at Viking events across England, he says.

Some people were uncomfortable seeing a black Viking.

It was worse at festivals in northern Europe. He even thinks he was specifically targeted at some battles.

“Being black, it was hard to be recognised. One of the main reasons I do it is because we were there. I don’t see why it’s not written in history.”
Blunt weapons are used in competitive battles between Vikings, and marshals enforce safety rules
“Most of us feel a connection with the ancient ways of thinking, pre-Christian beliefs. Only this combined with aggression makes a Viking.”

Igor Gorewicz has been organising the battles at the Wolin Festival in Poland since the late 1990s.

He says he has seen it transform the lives of hundreds of men.

People who had problems in their lives became good Viking citizens by releasing their aggression in a moderate way.”

The change can take effect after just a week of Viking martial training, he reckons.

The Viking code is all about creating strong men who know how to behave well, says Igor:

It allows you to be a tough man, while still respecting others. It also allows someone to escape the baggage of their past because one's Viking reputation rests purely upon their actions in the Viking world.

Igor, himself, used to be part of a violent scene in Poland called ‘metal-heads’. He describes it as football hooliganism, without the football.

Igor now takes his Viking message to schools and correctional facilities for young offenders.

He believes he can reach out to troubled young men that traditional authority figures, like teachers or magistrates, cannot.

Igor admits that the world of Viking re-enactment does draw a minority of people with racist views, attracted to the idea of re-creating a white, warrior culture.

“In all the cases I know, when they join our society, after a short time, they stopped talking bullshit.”

“If you live the real life, you feel good, you feel strong, you feel bonds with your warrior brothers. You gain fulfilment.”