Leeds's passion for fashion explored in new exhibition
- Published
The changing fashions of people through the centuries are on display at a new exhibition in Leeds.
Featured garments include a made-to-measure corset popular in the Victorian era to a red suit from one of the city's "most elite" department stores.
Outfits worn by local people are also displayed along with stories about why they were so special.
It hopes to illustrate how lessons can be learned from the traditional make-do-and-mend approach to clothes.
Taking people on a journey through Leeds from 1720 to 2020, the exhibition explores how the city came to be home to some of the top retailers, earning it a place as a key shopping destination.
It also looks at the changing ways people have bought their clothes - from the era of tailors and dressmakers to the rise of fast, mass-produced fashion.
Vanessa Jones, Leeds Museums and Galleries' assistant curator of costume and textile, said: "Changing styles, trends and the clothes people have worn mirror the many different ways society and its attitudes towards everything from gender to diversity have developed through the ages."
Following Queen Victoria's example, it was customary for families to go through elaborate rituals to commemorate their dead and a collection of clothing from Frederick Forster's Mourning Warehouse illustrates how businesses profited from that.
The industrial revolution and the rise of technology enabled mourning wear to boom as people became less reliant on made-to-measure clothes and were able to go and buy garments in shops.
The rise in haberdasheries through the centuries served the popularity of dress-making, which rather than a necessity, became a thing of luxury.
The collection goes on to reflect the modern day Leeds high street - one dominated by an explosion of mass-produced, fast fashion where many of the old streets and buildings have been lost to new shopping centres.
Fast x Slow Fashion: Shopping for clothes in Leeds, 1720-2020 will be at Leeds City Museum until 20 June.
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