Artist sneaks AI-generated print into museum gallery

A digital print of a boy sitting on a chair in school uniform . He has a book under his arm and an empty plate on his lap. Next to it is a picture of this print on the wall within a gallery.  There is a white piece of paper next to it that has Elias Marrow and Empty Plate 2024 written on it.
Image caption,

The portrait was titled Empty Plate and put in a custom-made frame

  • Published

An artist sneaked an AI-generated print on to a gallery wall before bemused visitors alerted museum staff.

The print was hung up at National Museum Cardiff by secretive artist Elias Marrow, who said his Empty Plate piece - depicting a young boy in school uniform holding a plate - was viewed by a "few hundred people" before it was removed.

One visitor who noticed the artwork asked a member of staff about it, but said the museum worker "admitted they had no idea about the piece or when it arrived".

An Amgueddfa Cymru spokesperson said: "An item was placed without permission on a gallery wall in National Museum Cardiff. We were alerted to this and have removed the item in question."

A boy sitting on a chair in school uniform holding an empty plate - a digital print. Inside a wooden frame
Image caption,

The piece was used to "represent the state of Wales in 2025"

The artwork, generated using artificial intelligence before being printed off, was hung by Marrow in the museum's contemporary section, with his website saying Empty Plate "represents Wales in 2025".

Marrow was interested in "how public institutions decide what's worth showing, and what happens when something outside that system appears within it".

He said using artificial intelligence to create it was "part of the natural evolution of artistic tools", adding he sketched the image before he used AI.

"AI is here to stay, to gatekeep its capability would be against the beliefs I hold dear about art," he said.

Morrow said visitors had responded well to it and took photos.

The artist, who said similar stunts he had carried out at Bristol Museum and Tate Modern were not "approved, sanctioned, or acknowledged", denied it was vandalism.

"The work isn't about disruption. It's about participation without permission," he said.

"I'm not asking permission, but I'm not causing harm either."

One museum visitor from Ireland who saw the piece on 29 October said they thought it might have been "performance art", but then "quickly realised that this was a guerrilla piece".

They said they wondered "why such a poor quality AI piece was hanging there without being labelled as AI", and approached staff only to be told no-one knew what it was.

A close up of the label which says Elias Marrow Empty Plate 2024 inWelsh and in English