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Emma Saunders
Entertainment reporter

Nina Sublatti looks pretty scary as belting out her anthem wearing a Goth-style leather jumpsuit with thigh high boots. And she’s taken epaulettes to a whole new level – frankly, it looks like two ravens are poking out of her capped sleeves. 

She says her song is about feminism, Georgian women’s history, and honesty. Good on her. And it’s another entry that’s offering something different from the pop and ballads on offer. I just wouldn’t want to be the one to tell her she hasn’t won.

Emma Saunders
Entertainment reporter

After all that drama, Hungary’s delicate and soulful ballad comes as something of a relief. It’s got a traditional Eurovision peace message (clue is in the title) which could go in its favour. Again, it’s all about the voices but there is a very impressive constellations image projected on to the floor during the first half of the song. Thank goodness for aerial cameras.

Now this, folks, would be just another ballad if it wasn’t for the costume gimmicks! Bring it on! Edurne starts off by climbing over a man lying on the stage. Good start. 

And it gets better - Kylie-style snood hood, a bit of wind machine action and the man who was lying on the floor has recovered himself sufficiently to pull the train, resulting in Edurne’s dress flying off to reveal a glittery gold number underneath! 

I was worried there might be a Madonna moment as he tugged on the train but they must have sensibly opted for Velcro. Well, it worked of Buck’s Fizz. Not only that, there are also some ambitious dance lifts a la Strictly (Len would definitely NOT approve).

Good work by Dan Berry, aka @thingsbydan, external, who's sketching all the contestants as the show goes on.

Emma Saunders
Entertainment reporter

Yet another pared-down set. The stage is scattered with strategically placed suitcases - is he hoping to make a quick getaway? But I like the way he chops and changes between Romanian and English throughout his performance. The song is about supporting children whose parents have to leave their homeland to work abroad and he finishes with a message to the audience: “Don’t leave the children behind”. Er, I think he might be aiming this at me. Kids, I’ll be back from Vienna on Sunday. Promise.

Emma Saunders
Entertainment reporter

This is very different to everything else on offer. I reckon Aminata could be Latvia’s answer to La Roux. She certainly sounds like Elly Jackson, particularly during the verses. 

Aminata is wearing a red dress that wouldn’t look out of place on Diana Ross but she does own the stage (I’m back in Cowell mode). And she should be applauded for entering something unusual. 

Emma Saunders
Entertainment reporter

In the Name of Love, written by Monika herself, about how she overcame the trauma she suffered. The melody is pretty run-of-the-mill but it’s hard not to feel moved by the sincere performance. And she blows a little kiss to the audience at the end. Nice touch.

Emma Saunders
Entertainment reporter

The song isn’t unpleasant but it all feels just a little bit dated. And she spends the entire first verse with her back to the audience – how rude. “We’re only left with black smoke,” Sophie Ann smoulders. I’m still worrying about that piano.

Emma Saunders
Entertainment reporter

This has a traditional regional feel, featuring a folky instrumental opening that transports you straight to the shores of the Adriatic. And actually, that’s no bad thing. A bit of old school Eurovision never hurt anyone. We were also treated to some traditional dancing with his five lovely backing singers. What’s not to like?

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