Sir George Martin and The Beatles 'rewrote rule book'published at 08:59 Greenwich Mean Time 9 March 2016
Mark Savage
Music reporter
Without George Martin, The Beatles would have been a very different band.
His calm demeanour and technical expertise allowed the Fab Four to experiment and indulge their wildest and most elaborate ideas.
On many occasions, Lennon and McCartney would entrust him with arranging their songs. The string quartet on Yesterday is all his work, while he plays the piano solo on Misery.
Famously, Martin walked out of the band's first recording session at Abbey Road, leaving his engineers to supervise the recording of Besame Mucho while he went to the canteen.
But when the group started playing Love Me Do, a tape operator was dispatched to fetch him. It was the start of the most productive producer-musician relationship in modern pop - though The Beatles weren't quite ready to accept this suave Londoner into their inner circle.
As the recording session finished, Martin asked if there was anything the band didn't like. "Well, for a start," replied George Harrison, "I don't like your tie."
Luckily he saw the funny side - and together the quintet rewrote the rule book on popular music.
After The Beatles disbanded, Martin wrote film scores and worked with artists as varied as Sting, Jose Carreras, Celine Dion and Stan Getz.
In 1997, he produced Sir Elton John's re-write of Candle in the Wind, which went on to become the biggest-selling single of all time.
Despite beginning his career as an oboist, the classically-trained producer never regretted making his name in the mass market.
"Rock and roll has the same function as classical music," he once said. "To make sounds that are appealing to a mass of people and are of some worth."