Deeply moving and laugh-out-loud funny, Mission: Joy gives unprecedented access to the friendship between His Holiness the Dalai Lama and the late Archbishop Tutu. The self-described ‘mischievous brothers’ were filmed over five days by an award-winning team who captured a relationship built on truth, honesty and, most importantly, joy.

The film goes behind the scenes at the Dalai Lama’s residence in Dharamsala, where Archbishop Tutu and the Dalai Lama recount stories from their lives, both having lived through periods of incredible difficulty.

With genuine affection, mutual respect and a healthy dose of teasing, the two friends impart lessons gleaned from experience, ancient traditions and cutting-edge science to show that it is possible to live with joy in the face of all of life’s challenges, from the extraordinary to the mundane. Mission: Joy is an antidote for our times.

There’s been a huge effort to make the world safe from landmines, but they’re still killing thousands of people each year. So why are they still causing havoc?

Dancer and drummer Guy Schalom hunts out the spirit of the new Egypt in one of its biggest cultural exports. To our ears, Baladi is the music of the bellydancer - kitsch and mock-Arab. But in its true form it is the essence of Egypt, 'of the country', 'home' in the deepest sense.

Our journey begins in Berlin, as bejwelled dancers from across Europe gather on a theatre stage ready to do battle for the title 'Miss Bellydance 2012'. They might not all know it, but the music which accompanies their gyrations is a knot of contradictions: an essence of the east inspired by western musical traditions, the spirit of rural Egypt made urban.

But the deepest contradictions rest with the very people who perform Baladi. What seems to us a provocative, alluring, even licentious dance for women in fact has roots in a ceremonial dance for men. As we discover in Cairo, deep divisions remain between those who think it is a vital expression of the oriental spirit and those committed to regenerating sexual stereotypes. So what is the reality of bellydance and Baladi in the new Egypt? Can it find any place amongst the street rappers and pop artists or is this an artform about to be consigned to realms of the tourist-pleasing clubs and cafes? As with so much in this rapidly changing culture, answers prove difficult to find.

First broadcast on BBC Radio 4 in 2012.