US singer SZA has been headlining Glastonbury's Pyramid Stage on the final night of this year's festival
Shania Twain played the coveted Legends slot earlier
Burna Boy, Janelle Monae, Paloma Faith and Seasick Steve also played the Pyramid Stage today
In the UK, you can browse between seven streams covering different stages by pressing on the Watch & Listen tab
Across the other stages, the National, London Grammar and James Blake are among the acts performing on Sunday
Dua Lipa and Coldplay headlined the festival's previous two nights
You can head here for the festival's full line-up and stage times
Andre Rhoden-Paul
reporting from Glastonbury
Shania jumps over a gap to get closer to the crowd.
"This is amazing because I can see everyone... it's really really special," she says.
"It's such an honour to be invited."
She mentions the cowboy hats - of which there are aplenty, and adds:
Quote MessageI see a lot of cowboy hats. I see and I feel your support."
Noor Nanji
reporting from Glastonbury
Black cowboy hat (obvs).
Arm length gloves.
Black mini dress.
And an incredible pink cloak that looks like a waterfall down her back.
That impresses me!
Andre Rhoden-Paul
reporting from Glastonbury
Just before Shania arrived on stage we heard from Michael Beasley, bishop of Bath and Wells, in clerical clothing giving a mini sermon to the crowd.
I don't think I've seen so many cowboy hats in one place.
It is giving Beyonce's Renaissance tour a run for it's money.
Michael Beasley, bishop of Bath and Wells, addresses the Pyramid Stage crowds
Mark Savage
reporting from Glastonbury
Image source, ReutersEilleen Regina "Shania" Twain was born in Canada and raised in the small, rural town of Timmins.
She learned to play guitar at an early age and was singing in bars, clubs and talent shows by her teens.
In the 1990s, she became one of the first country music "crossover" stars, successfully fusing Nashville's twang to the bombast of stadium rock.
Her second album, The Woman In Me, went platinum 12 times over.
The follow-up, 1997's Come On Over, sold more than 40 million copies, thanks to the mega-ballad You're Still The One and funny, empowering anthems like That Don't Impress Me Much.
It is still the world's best-selling album by a female artist, and the ninth best-seller of all time in the US.
"I've been accused of changing the sound of country music forever," she told the BBC in 2022.
"But I've also been accused of ruining country. I've been accused of a lot of things."
Country superstar Shania Twain has just walked on to the main stage at Glastonbury for her much-anticipated gig playing the festival's coveted Legends slot.
As she walked on she was surrounded by people carrying fake horse heads on sticks - a playful nod to stories about her earlier in the week that speculated about her arriving on the stage on a horse.
Last year Cat Stevens, also known as Yusuf, played the Legends slot.
Noor Nanji
reporting from Glastonbury
Shania Twain super fans super fans Lara and Millie
Outside the Pyramid Stage, the crowd has been building up for Shania Twain for a while.
I met super fans Lara and Millie, who were both wearing matching pink cowboy hats (what else).
Lara, who runs a pub, is most looking forward to Man! I feel like a woman!
She says in her pub, people jump on the tables and dance whenever that song comes on.
She’s also hoping Shania will bring Harry Styles on as a special guest.
Meanwhile, Millie is excited to hear That Don’t Impress Me Much.
“It takes me back to the NOW compilation CDs I used to have as a kid,” she said. “I can’t wait.”
Annie Croll from Glastonbury (left) with Linda Hanning from Dunfermline (right)
Annie Croll and Linda Hanning are huge fans of Shania Twain and were the first to start waiting for her Legends slot.
They arrived at the Pyramid Stage at 09:21 BST this morning.
Speaking to the BBC's Colin Paterson they said they took "the earliest bus we could to get here".
Quote MessageShe is just amazing. She is going to rock this place."
Linda
I used to listen to her back in 1998, says Annie.
But how are they going to survive the long wait for hours and hours? Hopefully someone will bring us coffee," says Linda.
Not long left to wait now... Shania Twain's set's about to get underway in a few minutes.
Colin Paterson
reporting from Glastonbury
Image source, Getty ImagesShania Twain will take to the stage on Sunday, as part of the festival's Legends slot
Shania Twain hopes to pull off a Glastonbury first by riding a horse to the Pyramid stage on Sunday, ahead of her teatime Legends slot.
When asked about any special plans for her appearance, the Canadian singer told BBC Breakfast:
Quote MessageI love horses. I love animals I’m going to see if there’s a horse around, I can borrow."
Image source, Getty ImagesA horse would often be the special guest at Shania Twain's residency in Vegas
She continued: "I’d love to ride a horse to the stage," but admitted, "I’ll have to find out if it’s allowed."
This would be far from the first time that Twain has incorporated horses into her work. From 2012, her Las Vegas residency at the Ceasars Palace Colosseum, featured her singing her hit You’re Still the One on stage, while sitting on a white horse.
The video for her 2005 single Don’t! also included Twain riding a horse through a yucca plantation and she often appears on social media with her own horses including three Tennessee Walking Horses and two Saddlebreds.
Image source, PA MediaFatboy Slim performed inside Arcadia's new Dragonfly stage on Friday
The women who manages Arcadia at Glastonbury Festival has said the new Dragonfly attraction was made "with DJs in mind".
Arcadia has been a key destination for late-night dance music since 2009, and was previously home to a giant fire-breathing spider.
The spider has this year been replaced with The Dragonfly and Ceri Wade has told the BBC Sounds Inside Glastonbury series that she is "extremely proud" of the biomechanical creature.
Ceri Wade and her team helped design the new Dragonfly DJ set at Arcadia
Wade says: "We met with Fatboy Slim and the other artists as the DJ fuses with the structure and the stage and it becomes an experience."
"When we see that connection with 50,000 people in the crowd, it’s really humbling and amazing," she has said.
Mark Savage
reporting from Glastonbury
Rachel Chinouriri kicked the Other Stage into gear this morning with a joyous burst of charismatic indie pop.
Wearing a distinctive Union Jack crop top and Spice Girls-style platform boots, the Londoner raced through the highlights of her debut album What A Devastating Turn Of Events (surely destined to be a Mercury Prize nominee next month).
Highlights included the urgent riffs of Never Need Me and the instant singalong All I Ever Asked.
She had a little weep after playing Robbed - written for her niece, who died at six days old.
And she dedicated a cover of Estelle’s American Boy to the black women who’d shown her Glastonbury was an achievable goal: Joan Armatrading, Skin from Skunk Anansie, and Keisha from Sugababes.
As the crowd swelled, she looked visibly moved.
“I just want to say, as far as this microphone can go, thank you so much,” she said, before adding:
Quote MessageYou’re really making a little 13 years old girl from Croydon’s dreams come true.”
Keith Adams
reporting from Glastonbury
Birmingham Royal Ballet performed Interlinked, an intensely stirring piece from composer Luke Howard, choreographed by Juliano Nunes.
I was among the thousand or so transfixed in front of the stage.
No-one spoke... no one checked their phone... no one looked away.
Elinor from Birmingham, and friends Issy and Olivia from Bristol were next to me... and all of them had to wipe away tears. "Time stood still," said Elinor.
Elinor, Issy and Olivia
Jack Burgess
Live reporter
Coldplay headlined Glastonbury last night for a record fifth time
Every Glastonbury fan has their favourite moment from the festival's long and rich musical history.
Mine... seeing Massive Attack light up the Other Stage in 2008 as the sun set over Worthy Farm.
There have been so many iconic performances over the years and today will undoubtedly create more.
What a line-up we have for the final day of this year's festival:
SZA is Sunday's headliner at 21:30 BST, Shania Twain will rock the coveted "legend slot" at 15:45 and elsewhere Burna Boy, Janelle Monae, the National, Avril Lavigne, James Blake and London Grammar are among the many names wowing crowds today.
You can follow all the unmissable moments with us here and browse between seven streams covering the main stages in the Watch & Listen tab at the top of this page.
Sundays at Glastonbury are always an emotional affair.
Have you got your dancing wellies and tissues ready?
Great. Let's go!
Johanna Chisholm
Live reporter
Image source, Getty ImagesI'm sure last year's Sunday night headliner, Sir Elton John, would feel confident saying that Glastonbury 2024's Saturday night was, indeed, alright for fighting. Or rather, dancing.
Coldplay brought down the house at the Pyramid Stage with explosive sets, and an even more explosive air show of fireworks. And I'm sure not a dry eye was left in the audience when they came back on stage with the encore of Fix You.
Elsewhere, crowds were treated to the likes of Little Simz, Disclosure, Michael Kiwanuka, Cyndi Lauper, Camila Cabello, Jessie Ware, Femi Kuti, The Streets, Keane and a whole lot more.
There were also a few more surprises today. Kasabian took over the TBC slot at the Woodsies stage, while Sam Smith and Michael J Fox joined the headliners over on the Pyramid and Other Stage.
We'll be back here tomorrow for Burna Boy, Janelle Monae, Shania Twain, The National, Avril Lavigne, Two Door Cinema Club, James Blake as well as SZA who will surely be sizzling as the headliner on Sunday night.
For those of you in the UK, you can watch all the acts back on BBC iPlayer, where the festival will be streamed all weekend.
Today's coverage was brought to you by myself and Vicky Wong, as well as our reporters at Glastonbury.
Annabel Rackham
BBC Culture reporter at Glastonbury
"It’s a song that changed our lives forever," Guy Lawrence said to the crowd as he played the iconic intro to Latch - the 2013 hit that propelled them onto the dance music scene.
The band then introduced Sam Smith - the song’s collaborator, who also came out the last time Disclosure headlined the Other Stage back in 2016.
It was a touching moment to help bring to a close a pretty flawless set from the Surrey duo.
Noor Nanji
Culture reporter at Glastonbury
Image source, Getty Images…as the anthem Fix You starts.
Coupled with fireworks, it’s quite the moment here on Worthy Farm.
Image source, Getty ImagesMark Savage
BBC Music correspondent
This is brilliant.
Chris Martin is getting the cameras to zoom in on members of the audience, and making up odes to them on the spot.
At last, the camera lands on Glastonbury co-founder and Chris sings: “Sir Michael we just want to thank you As humans go you’re the best of all sorts. You’re a musical charmer. You’re the world greatest farmer. Whoever got knighted wearing shorts?”
And just when you think it can’t get better - the cameras pick out Michael J Fox. Who then joins Martin on stage, strumming a guitar. Wow.
This is a bit different.
Chris Martin is now going through the crowd and addressing audience members through an improvised song.
Their images - seemingly at random - are put on to the big screen of the Pyramid Stage, while Martin riffs a melody about them.
So far, four men in track suits and a man wearing banana hat have been given the honour of being serenaded - personally - by Martin.
Image source, Getty ImagesBefore their encore, Coldplay played a speech by Louis Armstrong, talking about the reaction to his classic hit What A Wonderful World.
“Some of you young folks been saying to me, ‘Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That ain't so wonderful either.’"
The lines continue: “Well, how about listening to old Pops for a minute. Seems to me, it ain’t the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret, yeah.”
As the band return, Chris Martin reminisces about the band's first Glastonbury performance, 25 years ago this month.
They played the new band tent, they were late, and they were “just the worst” (his words, not mine). To celebrate, they break out a rarely-heard deep cut from their first album - Sparks.
Andre Rhoden-Paul
Reporting at Glastonbury
The crowd reacts surprised as the band appear in the centre of the crowd to play a song - Sparks - off their first album.
For many people in the middle of crowd, relying on the big screens, the elevated platform provides their first clear view of the band.
Image source, Getty ImagesNoor Nanji
Culture reporter at Glastonbury
I spotted quite a few fans heading off as Coldplay moved away from big hits.
Ones I spoke to told me they’re heading to Jessie Ware, who as my colleague Mark just said, is putting on quite the show around the corner at West Holts.
They've still got about half an hour of her set to catch.
You can catch Ware's set by pressing the Watch & listen tab above and pressing on the West Holts stage stream.